Italian Upper Paleolithic sites show art identical to Franco-Cantabrian caves. Great Auk depicted in Puglia caves matches Spanish and French parietal art. Paglicci horse paintings stylistically equal Lascaux horses. Hand stencils in Paglicci mostly small female hands per Snow's study. Romito uro graffito exploits rock shapes like European caves. Addaura Sicily depicts unique narrative shamanic or sacrifice scene. Levanzo anthropomorphs emerge from earth with beak masks. Fumane Veneto aurignacian shaman with horns matches French Trois-Freres. Dalmeri stones painted with hieratic anthropomorphs indicate ritual area. Italy hosts highest Western Europe Gravettian Venus figurines concentration. Italian Venuses identical to Lespugue, Willendorf, Kostienki across Europe. Shared cappucci headgear on figurines from Italy to Dordogne. Gonnersdorf-style silhouettes in Puglia caves match France to Poland. Balzi Rossi statuettes mirror Siberian Mal'ta ivory heads and V-pubis. Gravettian female burials use identical ochre, shell headdresses, deer canines continent-wide. Prince of Arene Candide buried with female-typical rich ochre ritual despite possible male youth. Paglicci and Bilancino show 33,000-year-old grain processing predating agriculture. Academic suppression delayed Italian Paleolithic art recognition for decades.